David Reed was born 1946 in San Diego, CA.

Lives and works in New York.

 

 

EDUCATION

BA, Reed College, Portland, OR, 1968

New York Studio School, NY, 1967

Skowhegan School of Painting and Sculpture, Skowhegan, ME, 1966

 

 

SOLO EXHIBITIONS

2015

Hamburger Bahnhof, Berlin (with Mary Heilmann)

David Reed- Haus Lange, Imi Knoebel- Haus Esters, Kunstmuseen Krefeld, Germany

 

2013

David Reed. Recent Paintings. Häusler Contemporary Zürich

 

2012

David Reed. Heart of Glass. Paintings and Drawings 1967-2012, Kunstmuseum Bonn, Germany

The Indiscipline of Painting. Mead Gallery, Coventry, UK

Galería Marta Cervera, Madrid

 

2010

Galerie Schmidt Maczollek, Cologne, Germany

Works on Paper. Peter Blum Soho, New York, NY

 

2009

Recent Paintings. Häusler Contemporary, Munich, Germany

 

2008

David Reed: Lives of Paintings. Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, OR

 

2007

Max Protetch Gallery, NY

 

2006

Galerie Schmidt Maczollek, Cologne, Germany

 

2005

Galerie Bob van Orsouw, Zürich, Switzerland

Leave Yourself Behind: Paintings and Special Projects 1967 - 2005. Ulrich Museum of Art,

Wichita State University, Kansas; traveled to Roswell Museum and Art Center, Roswell, New Mexico

 

2004

Max Protetch Gallery, NY

Galerie Xippas, Paris

 

2003

Galerie Rolf Ricke, Cologne

 

2002

Max Protetch Gallery, NY

Patricia Faure Gallery, Los Angeles, CA

 

2001

*David Reed - You look good in blue. Kunstmuseum St.Gallen, St.Gallen, Switzerland; traveled to Kunstverein Hannover, Hannover, Germany

 

2000

Galerie Rolf Ricke, Cologne, Germany

Galerie Bob van Orsouw, Zurich, Switzerland

 

1999

Galerie Xippas, Paris, France

David Reed - Painting / Vampire Study Center. Goldie Paley Gallery, Moore College of Art andDesign, Philadelphia, PA

Max Protetch Gallery, NY

 

1998

David Reed Paintings: Motion Pictures. Museum of Contemporary Art, San Diego, CA;

Max Protetch Gallery, NY

 

1997

Galerie Rolf Ricke, Cologne, Germany

Galerie Bob van Orsouw, Zurich, Switzerland

Patricia Faure Gallery, Los Angeles, CA

 

1996

Donna Beam Fine Art Gallery, University of Nevada Las Vegas, NV

New Paintings for the Mirror Room and Archive in a Studio off the Courtyard. Neue Galerie am Landesmuseum Joanneum, Graz, Austria

 

1995

David Reed. Kölnischer Kunstverein, Cologne, Germany; traveled to the Württembergischer Kunstverein, Stuttgart, Germany (with Beat Streuli); traveled to the Westfälischer Kunstverein, Münster, Germany

Max Protetch Gallery, NY

 

1993

Galerie Rolf Ricke, Cologne, Germany

 

1992

Max Protetch Gallery, NY

Walter / McBean Gallery, San Francisco Art Institute, San Francisco, CA

 

1991

Galerie Rolf Ricke, Cologne, Germany

Max Protetch Gallery, NY

 

1989

Max Protetch Gallery, NY

 

1988

Asher/Faure Gallery, Los Angeles, CA

Max Protetch Gallery, NY

 

1986

Max Protetch Gallery, NY

 

1985

Max Protetch Gallery, NY

 

1983

Max Protetch Gallery, NY

 

1980

Institute for Art and Urban Resources / The Clocktower, NY

Painting Residency, Fashion Moda, Bronx, NY

 

1979

Max Protetch Gallery, NY

 

1977

Nancy Lurie Gallery, Chicago, Illinois Max Protetch Gallery, NY

Protetch-McIntosh Gallery, Washington, D.C.

 

1976

Rush Rhees Gallery, University of Rochester, NY

 

1975

Susan Caldwell Gallery, NY

Faculty Office Building Gallery, Reed College, Portland, OR

 

 

GROUP EXHIBITIONS

2014

Teach Us To Outgrow Our Madness, Galerie Thomas Schulte, Berlin, Germany

Szalon, Reva and David Logan Center for the Arts, University of Chicago, Chicago, IL, USA

Eight Books two weeks – Kienbaum Artists’ Books, t.a.t. new talents Cologne, Germany

Invitational Exhibition of Visual Arts, The American Academy of Arts and Letters, New York, USA

Works on Paper 1963-2013, Galerie Schmidt Maczollek, Cologne, Germany

Elementary Painting, Kunstmuseum St. Gallen, Lichtenstein (curated by Konrad Bitterli)

Pictures of Everything, Harris Gallery, University of La Verne, La Verne, California, curated by Dion Johnson

OUTSIDE THE LINES: RITES OF SPRING, Contemporary Arts Museum Houston, Texas (curated by Dean Daderko)

David Reed & James Turrell, Häusler Contemporary Lustenau

Thinking Through Painting, The Royal Academy of Fine Arts, Stockholm, Sweden

Pictures of Everything, Harris Gallery, University of La Verne, CA

(Detail), Transition Gallery, London

Outside the Lines: Rites Of Spring, Contemporary Arts Museum Houston, TX

 

2013

Hybrid Painting, Mario Mauroner Contemporary Art, Vienna, Austria

American Abstract Artists– A Selection, Kent State School of Art Gallery, Kent, USA

Misdirect Movies, Standpoint Gallery, London, England

Sous l’Amazone coule un fleuve, FRAC, Clermont Ferrand, France

Pour, Asya Geisberg Gallery, New York, USA

May Kind of Disneyland, Märkisches Museum Witten, Germany

Movement, Bregenzer Kunstverein, Bregenz, Austria

2012

Heat Waves, Peter Blum Chelsea, New York, USA

Inside Outsiders, Mary Heilmann & Friends, East Hampton, USA

 

2011

William Eggleston and David Reed, Peder Lund, Oslo, Norway

70 Years of Collecting, Weatherspoon Art Museum, Greensboro, North Carolina, USA

 

2010

Highlights of the Schaufler Collection, Schauwerk Sindelfingen Sindelfingen, Germany Surprise no 2 - W. Bullinger, A.

Eloyan, D. Reed, Gallerie Bob von Orsouw, Zurich, Switzerland

INSIDE OUT, Susan Inglett Gallery, New York, Curated by Eli Ping

Color and Content, Kunstmuseum Bonn, Bonn, Germany

Malerei: Prozess und Expansion von den 1950er Jahren bis heute, Museum Moderner Kunst, Vienna, Austria Curator Rainier Fuchs)

 

2008

Las Vegas Collects Contemporary, Las Vegas Art Museum, Las Vegas, Nevada, USA

 

Sehnsucht (Aspiration), Light&Sie, Dallas, Texas, Curated by Georges Armaos

The 183rd Annual: An Invitational Exhibition of Contemporary American Art, The 183rd Annual: An Invitational Exhibition of Contemporary American Art,

 

2007

Das Kapital, Blue Chips and Masterpieces. Museum für Moderne Kunst, Frankfurt/Main,Germany

Brave Lonesome Cowboy: Western Topoi in Contemporary Art or: For John Wayne’s 100th Birthday.

(curated by Konrad Bitterli and Andreas Bauer). Galerien der Stadt Esslingen, Villa Merkel, Germany and Kunstmuseum St. Gallen, Switzerland

RoseArt. Works from the Permanent Collection. The Rose Art Museum of Brandeis University, Waltham, MA

Not for Sale. P.S.1 Contemporary Art Center, Long Island City, NY

 

2006

New Now Next: The Contemporary Blanton. Jack S. Blanton Museum of Art, Austin, TX

 

2005

Very Early Pictures. An exhibition of drawings (and works in other media) made by contemporary artists when they were children (curated by Richard Torchia). Arcadia University Art Gallery, Glenside, PA

“Post” and After: Contemporary Art from the Brandies University Collection (curated by Katy Siegel). The Rose Art Museum of Brandeis University, Waltham, MA

Vertiges (curated by Jean-Marc Bustamante). Printemps de Septembre a Toulouse (Les Abattoirs), France

Collection Histories/Collective Memories: California Modern. Orange County Museum of Art,

Newport Beach, CA

Extreme Abstraction (curated by Louis Grachos and Claire Schneider). Albright Knox Gallery,

Buffalo, NY

POPulence (curated by David Pagel). Blaffer Gallery, Houston, TX

What’s New, Pussycat? Neuerwerbungen und Sammlung Stroeher. Museum fuer Moderne Kunst Frankfurt am Main, Germany

The Continous Mark: 40 Years of the New York Studio School (curated by Jennifer Sachs Samet).

New York Studio School

Sweet Temptations. Dialoge mit der Sammlunf Rolf Ricke. Kunstmuseum St.Gallen, Switzerland

Willem de Kooning (curated by Florian Steininger). BA-CA Kunstforum, Vienna, Austria

 

2004

Me Myself I (curated by Konrad Bitterli). Konstruktionen von Raum und Identitaet in der Kunst der Gegenwart. Kunstmuseum St.Gallen, Switzerland

Gesture Suggestion. Vous Etes Ici, Amsterdam, the Netherlands

Painting Now: Selections from the Permanent Collection. Museum of Contemporary Art,

San Diego, CA

Le Syndrome de Babylone. Centre d’Art Contemporain de la Villa du Parc, Geneve, Switzerland

Still Mapping The Moon. Perspektiven zeitgenoessischer Malerei / Perspectives on Contemporary

Painting. Kunstmuseum Bonn, Germany

David Reed. Malerei. Neues Museum, Nuernberg, Germany.

Surface Tension (curated by Manon Slome). Chelsea Art Museum, NY

The Void and the Plentitude (curated by Martin Hentschel). Museum Haus Esters, Krefeld, Germany

In The Spotlight. Rose Art Museum, Brandeis University, Waltham, MA

100 Artists See God (curated by John Baldesarri and Meg Cranston). Independent Curators International, traveling group show

 

2003

Greetings from New York: A Painting Show. Galerie Ropac, Salzburg, Austria

ON. Renos Xippas Gallery, Athens, Greece

Jessica Stockholder: “Table Top Sculpture”. Gorney Bravin + Lee, New York, NY

Perpetuum Mobile (curated by Guenter Umberg). 40 Jahre Galerie Rolf Ricke,. Cologne, Germany

Intricacy (curated by Greg Lynn). Institute of Contemporary Art Philadelphia, PA;

traveled to Yale University, New Haven, CT

New Abstract Painting - Painting Abstract Now: Abstraktion in der neuen Malerei

(curated by Ute Riese). Museum Morsbroich Leverkusen, Germany

Painting Pictures (curated by Gijs van Tuyl and Annelie Luetgens). Malerei und Medien im digitalen Zeitalter. Kunstmuseum Wolfsburg, Germany

Trespassing: Houses X Artists (curated by Linda Taalman and Alan Koch). Bellevue Art Museum, WA;

traveled to MAK Center for Art and Architecture, Los Angeles, CA; traveled to the University of South Florida Contemporary Art Museum, Tampa, FL; traveled to Blaffer Gallery at the University of Houston, TX; traveled to the Palm Springs Desert Museum, CA

Schokolade, was denn sonst: Sammlung Rolf Ricke. Kunstraum Innsbruck, Innsbruck, Austria

We Love Painting: The Contemporary American Art from Misumi Collection. Museum of

Contemporary Art, Tokyo, Japan

Postimpact. Portalakis Collection, Athens, Greece

 

2002

Das Museum, die Sammlung, der Direktor und seine Liebschaften (curated by Udo Kittelmann).

Museum moderner Kunst, Frankfurt am Main, Germany

Einfach Kunst: Sammlung Rolf Ricke. Neues Museum, Nuernberg, Germany

Another World: Zwoelf Bettgeschichten / Twelve Bedroom Stories. Kunstmuseum Luzern,

Switzerland Raum fuer Malerei / The Painting Room. Kaiser Wilhelm Museum, Krefeld, Germany

Mood River (curated by Jeffrey Kipnis). Wexner Center for the Arts, The Ohio State University, Columbus, OH

Time / Frame (curated by Annette DiMeo Carlozzi). Jack S. Blanton Museum of Art, The University of Texas at Austin

Transcendent & Unrepentant. Rosenwald Wolf Gallery, the University of the Arts, Philadelphia, PA

 

2001

The Magic Hour: Die Konvergenz von Kunst und Las Vegas (curated by Alex Farquharson).

Neue Galerie Im Kuenstlerhaus, Graz, Austria

Lateral Thinking: Art of the 1990’s. Museum of Contemporary Art, San Diego, CA

Cinema Studies (curated by Aruna d’Souza). Lucas Schoormans, NY

Vertigo (curated by Gerald Matt). Ursula Bickle Stiftung, Kraichtal, Germany; traveled to Vorarlberger Kunstverein, Bregenz, Austria

Hybrids: International Contemporary Painting (curated by Simon Wallis). Tate Liverpool, Great Britain

Ornament and Abstraction (curated by Markus Bruederlin). Fondation Beyeler,

Riehen/Basel, Switzerland

Pleasures of Sight and States of Being (curated by Roland Nasgaard). Museum of Fine Arts,

Florida State University

 

2000

How you look at it: Photographs of the 20th Century (curated by Thomas Weski and Heinz Liesbrock). Sprengel Museum Hannover, Germany

Body of Painting (curated by Guenter Umberg). Museum Ludwig, Koeln, Germany

Eva Knutz & David Reed. Art Resources transfer, Inc., NY

Passe Compose / Futur anterieur. Musee d’Art Roger-Quilliot. Montferrand, France

Das Gedaechtnis der Malerei (curated by Sibylle Omlin and Beat Wimmer). Aargauer Kunsthaus, Aarau, Switzerland

Media / Metaphor: The 46th Biennial Exhibition (curated by Philip Brookman). Corcoran Museum of Art, WA

Six Abstract Artists at the Milenium (curated by Robert Saltonstall Mattison). Dorsky Gallery, NY

 

1999

Special Offer (curated by Rolf Ricke). Kassler Kunst Verein, Kassel, Germany

Postmark: An Abstract Effect (curated by Bruce W. Ferguson). Site Santa Fe, Santa Fe

Mixed Bag: Summer Group Show. Schmidt Contemporary Art, St. Louis, MO

Abstrakt. Galerie Thaddaeus Ropac, Salzburg, Austria

Moving Images (curated by Dirk Luckow and Jan Winkelmann). Galerie fuer Zeitgenoessische Kunst Leipzig. Leipzig.

Aux derniere nouvelles... . FRAC D’Auvergne. Clermont Ferrand. France

Looking at Paintings / Looking for Painters: Gesture and Contemporary Painting (curated by Brian Stechschulte and Mike Underwood). University of Michigan

Notorious: Alfred Hitchcock and Contemporary Art (curated by Kerry Brougher, Michael Tarantino

and Astrid Bowron). Museum of Modern Art Oxford, Oxford;traveled to Sydney, Tokyo, Odense

 

1998

The Erotic Sublime (Slave to the Rhythm) (curated by Nikolaus Ruzicska). Galerie Thaddaeus Ropac, Salzburg, Austria.

Geistes Gegenwart (curated by Petra Giloy-Hirtz and Peter B. Steiner). Dioezesanmuseum, Freising, and Heilig-Geist-Kirche, Landshut, Germany

Pop Abstraction (curated by Sid Sachs). Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA

I’m Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green

(curated by Steven Hull). Women’s 20th Century Club, Eagle Rock, CA

Utz: A Collected Exhibition (curated by Stephanie Theodore). Lennon, Weinberg, Inc., NY

Sick of Photography: A Painting Show (curated by Michael Darling). College of Creative Studies Gallery, University ofCalifornia, Santa Barbara, CA

Die Neue Sammlung (1). Palais Liechtenstein, Museum Moderner Kunst Stiftung Ludwig,

Vienna, Austria.

Interior Landscapes: An Exhibition from the Collection of Clifford Diver. Delaware Art Museum,

Wilmington, Delaware

From Here to Eternity: Paintin in 1998 (curated by Ruth Kaufmann). Max Protetch Gallery, NY

 

1997

Theories of the Decorative: Abstraction and Ornament in Contemporary Painting (curated by Paul Nesbitt and David Moos). Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, WichitaState University, Wichita, KS

Primarily Paint. Museum of Contemporary Art, San Diego, La Jolla, CA

Pintura. Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain

After the Fall: Aspects of Abstract Painting Since 1970 (curated by Lilly Wei). Snug Harbor Cultural Center, Staten Island, NY

Intimate Universe (Revisited): Seventy American Painters (curated by Michael Walls). Robert Steele Gallery, NY

Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker.Gallerie Tanya Rumpff, Haarlem, the Netherlands

Wetterleuchten (curated by Guenter Umberg). Galerie Evelyne Canus, La Colle-sur-Loup, France

Critiques Of Pure Abstraction (curated by Mark Rosenthal). Independent Curators, Inc., NY

Stepping Up. Andrew Mummery, London, England

Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio,David Reed, Jesse Reiser / Nanako Umemoto. Kuenstlerhaus Palais Thurn und Taxis, Bregenz, Austria

Some Lust. Patricia Faure Gallery, Santa Monica, CA

Installations / Projects. Institute for Art and Urban Resources/P.S.1, Long Island City, NY

1996

16 Artists. Patricia Faure Gallery, Santa Monica, CA

Extended Minimal. Max Protech Gallery, NY

Nuevas Abstracciones (curated by Enrique Juncosa). Museo Nacional Centro de Arte Reina Sofia,

Madrid, Spain; traveled to Museu d’Art Contemporani de Barcelona, Spain; traveled to Kunsthalle Bielefeld, Germany

Abstract Practice. Galerie Thaddaeus Ropac, Salzburg, Austria. Form als Ziel muendelt immer in

Formalismus. Galerie Rolf Ricke, Cologne, Germany

Embededded Metaphor (curated by Nina Felshin). Independent Curators, Inc., NY

Reconditioned Abstraction (curated by Martin Ball). Forum for Contemporary Art, St. Louis, MO

Lydia Dona and New York Abstraction. Macdonald Stewart Art Centre, Guelph, Ontario, Canada

1995

Pittura/Immedia: Malerei in der 90er Jahren / Painting In the 90’s (curated by Peter Weibel).

Neue Galerie am Landesmuseum Joanneum, Graz, Austria

Das Abenteuer der Malerei / The Adventure of Painting (curated by Martin Hentschel and Raimund Stecker). Wuerttembergischer Kunstverein, Stuttgart, Germany and Kunstverein fuer die Rheinlande und Westfalen, Duesseldorf, Germany

Transatlantica, the America-Europa Non Representativa. Museo de Alejandro Otero, Caracas, Venezuela

Abstraction From Two Coasts. Lawing Gallery, Houston, TX

Architecture of the Mind, Content in Contemporary Abstract Painting (curated by David Moos).

Galerie Barbara Farber, Amsterdam, the Netherlands

Mesotica: The America non-representativa. Museo de Arte y Diseno Contemporaneo,

San Jose, Costa Rica.

All About Edges: An Exhibition of Contemporary Abstract Painting (curated by Judith Tolnick).

Main Gallery, Fine Arts Center Galleries, University of Rhode Island, Kingston

Repicturing Abstraction: The Politics of Space, The Abducted Image, Basic Nature, From

Impulse to Image. Virginia Museum of Fine Arts, Richmond, VA

Temporarily Possessed: The Semi-Permanent Collection. The New Museum of Contemporary Art, NY

Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and Rococco (curated by Lisa Corrin). The Contemporary and The Walters Collection, Baltimore, MD

Made In The U.S.A: Original Paintings on Paper. Bob van Orsouw Gallery, Zurich, Switzerland

Re-Fab: Painting Abstracted, Fabricated, and Revised (curated by Margaret Miller).

University of South Florida Contemporary Art Museum, Tampa, FL; traveled to Wolfson Galleries, Miami-Dade Community College, Miami, FL; traveled to the Robert Hull Fleming Museum, University of Vermont, Burlington, VT

Videothek (curated by Christine Goegger). Galerie im Rathaus, Munich, Germay.

1994

New Paintings. Max Protetch Gallery, NY

Drama. Max Protetch Gallery, NY

Chance, Choice, and Irony (curated by Colin Crumplin). Todd Gallery, London, England;

traveled to John Hansard Gallery, University Southhampton, Southhampton, England

Recent Painting. Asher/Faure Gallery, Los Angeles, CA

Conditional Painting. Galerie naechst St. Stephan, Vienna.

Don’t Look Now (curated by Joshua Decter). Thread Waxing Space, NY

 

1993

Fractured Seduction: New Conceptual Abstract Painting, Eight Artist from New York(curated by Maia Damianovic). Artifact Gallery, Tel Aviv, Israel

Italia-America: L’astrazione ridefinita (curated by Demetrio Paparoni). Galleria Nazionale d’Arte Moderna, Republica de San Marino

Supervision (curated by Guenter Umberg and Rolf Hengesbach).

Raeume fuer neue Kunst, Wuppertal, Germany

Hotel Carlton Palace, Chambre 763 (curated by Hans-Ulrich Obrist). Paris, France

Bodies of Work (curated by Philip Pocock). Atelier Philip Pocock, Cologne, Germany

New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool.Sammlung Goetz, Munich, Germany

Eight Painters: Abstractions in the Nineties. Carl Solway Gallery, Cincinnati, OH

Byron Kim, David Lasry, David Reed: Paintings. Quint Gallery, La Jolla, CA

Panorama. Galerie Martina Detterer, Frankfurt am Main, Germany;

traveled to Galerie Jousse - Seguin, Paris, France

New American Abstraction: The Conscious Gesture. Marion Locks Gallery, Philadelphia, PA

New Moderns. Baumgartner Galleries, WA.

Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting

(curated by Kasper Koeing and Hans-Ulrich Obrist).Museumsquatier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen,Hamburg, Germany

Silent Echoes(curated by Christian Haub). Tennisport Arts, Long Island City, NY

Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An InternationalExhibition of Contemporary Art (curated by Peter Weiermair). Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany

Ploetzlich ist eine Zeit hereingebrochen, in der alles moeglich sein sollte (Teil 2) (curated by

Udo Kittelmann). Kunstverein Ludwigsburg, Germany

“I am the Enunciator”(curated by Christian Leigh). Thread Waxing Space, NY

 

1992

Bedroom Pictures (curated by Terry R. Myers). Asher/Faure Gallery, Los Angeles, CA

Thomas Noskowski / David Reed. Baumgartner Galleries, WA

Slow Art: Painting in New York Now (curated by Alanna Heiss). Institute for Art and Urban Resources/P.S.1, Long Island City, NY

Abstrakte Malerie zwischen Analyse und Synthese / Abstract Painting between Analysis and Synthesis. Galerie naechst St. Stephan, Vienna, Austria.

Kinder! Macht neues! Galerie Rolf Ricke, Cologne, Germany.

 

1991

La metafisica della Luce / The Metaphysics of Light (curated by Demetrio Paparoni).

John Good Gallery, NY

Conceptual Abstraction. Sidney Janis Gallery, NY

The Lick of the Eye (curated by David Pagel). Shoshana Wayne Gallery, Santa Monica, CA

Hybrid Abstraction (curated by Joshua Decter). Bennington College Art Gallery, Bennington, VT

Strategies for the Next Painting (curated by Saul Ostrow). Wolff Gallery, NY;

traveled to Feigen Incorporated, Chicago, IL

Contemporary Abstract Painting:Resnick, Reed, Laufer, Moore (curated by Molly Sullivan). Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA

 

1990

Token Gestures: A Painting Show (curated by Collins & Milazzo). Scott Hanson Gallery, NY

 

1989 Biennial Exhibition. Whitney Museum of American Art, NY

Non-Representation: The Show of the Essay (curated by Jeremy Gilbert-Rolfe).

Annie Plumb Gallery, NY

Diagrams and Surrogates (curated by Saul Ostrow). Shea and Becker Gallery, NY

Aus meiner Sicht: Eine Ausstellung von Rolf Ricke / Jubilee Exhibition of the Galerie Rolf Ricke.

Koelnischer Kunstverein, Cologne, Germany

Collapsing Light (curated by Jonathan Seliger). Laurie Rubin Gallery, NY

Postmodern Painters. John Good Gallery, NY

Artists of the 80’s: Selected Works from the Maslow Collection. Sordoni Art Gallery,

Wilkes College, Wilkes-Barre, PA

 

1988

A New Generation, The 80’s: American Painters and Sculptors. The Metropolitan Museum of Art, NY

Louise Fishman, Joan Mitchell, David Reed (curated by Marjorie Welish).

Barbara Toll Fine Arts Inc., NY

Collaborations in Monotype (curated by Phyllis Plous). University Art Museum,

University of California at Santa Barbara, Santa Barbara, CA

Formal (curated by Lance Kinz). Dart Gallery, Chicago, IL

Seven American Abstract Artists (curated by David Carrier). Ruggerio Henis Gallery, NY

 

1987

Monsters: The Phenomena of Dispassion (curated by Dennis Kardon and Maria Reidelbach).

Barbara Toll Fine Arts, Inc., NY

Interstices (curated by Jonathan Seliger). Laurie Rubin Gallery, NY

Meaning (curated by David Humphrey). Four Walls, Hoboken, NJ

New Locations. Wolff Gallery, NY

Romantic Science (curated by Stephen Westfall). One Penn Plaza, NY

The Four Corners of Abstract Painting (From Sincerity to Sarcasm, from Formalism to Expressionsim) (curated by Bill Arning). White Columns, NY

Print / Film(curated by Victoria Brown and Christian Haub). Bess Cutler Gallery, NY

Abstract Painting. Asher/Faure Gallery, Los Angeles, CA

Generations Of Geometry: Abstract Panting in America Since 1930 (curated by Cheryl Epstein, M. Christine Hunnisett and Kimmo Sarje). Whitney Museum of American Art at Equitable Center, NY

40th Biennial Exhibition of Contemporary American Painting (curated by Ned Rifkin).

The Corcoran Gallery of Art, WA

 

1986

Abstraction / Abstraction (curated by Elaine A King).

Carnegie Mellon University Art Gallery, Pittsburgh, PA; traveled to Klein Gallery, Chicago, IL

Geometry Now (curated by Ruth Kaufmann). Craig Cornelius Gallery, NY

1985

Smart Art: New Work from New York (curated by Joseph Masheck). Carpenter Center for Visual Arts, Harvard University, Cambridge, MA

The Non-Objective World-1985: A Selection of Abstract Painting and Sculpture

(curated by Stephen Westfall). Kamikaze, NY

An Invitational (curated by Tiffany Bell). Condeso/Lawler, NY

Abstract / Issues (curated by Steven Henry Madoff). Sherry French Gallery,

Tibor De Nagy and Oscarsson Hood, NY

The Art of the 1970’s and 1980’s. Aldrich Museum of Contemporary Art, Ridgefield, CT

 

1984

24 x 24 x 24: An Invitational Exhibition. Ruth Siegel, NY

David Reed / Jackie Ferrara. Susan Montezinos Gallery, Philadelphia, PA

Invitational Painting Exhibition: Part 1, Twelfe Abstract Painters(curated by Michael Walls).

Siegel Contemporary Art, NY

Abstract Painting (curated by Per Jensen). Susan Montezinos Gallery, Philadelphia, PA

Current 6: New Abstractions. Milwaukee Art Museum, Milwaukee, WI

Small Works: New Abstract Painting(curated by Tom Hudspeth and Ron Janowich).

Williams Center for the Arts, Lafayette College, Easton, Pennsylvania and Center for the Arts,

Muhlenberg College, Allentown, PA

 

1983

Language, Drama, Source, and Vision(curated by Lynn Gumpert, Ned Rifkin and Marcia Tucker)

. The New Museum of Contemporary Art, NY

Contemporary Abstract Painting and Center for the Arts (curated by Tom Hudspeth).

Muhlenberg College, Allentown, PA

Nocturne. Siegel Contemporary Art, NY

Three Painters: Sean Scully, David Reed, Ted Stamm. Zenith Gallery, Pittsburgh, PA

 

1982

An Exhibition of Abstract Painting (curated by Craig Fisher). Art Galaxy, NY

Pair Group: Current and Emerging Styles in Abstract Painting (curated by Bill Zimmer).

Jersey City Museum, NJ

Abstract Painting. Maryland Institute College of Art, Baltimore, MD

 

1981

Arabia Felix (curated by Bill Zimmer). Art Galaxy, NY

Bertha Urdang Gallery, NY

 

1980

Recent Acquisitions. La Jolla Museum of Contemporary Art, La Jolla, CA

Investigations: Probe, Structure, Analysis: Agnes Denes, Lauren Ewing, Vernon Fisher, Stephen Prina, David Reed. The New Museum of Contemporary Art, NY

 

1979

Ateliers Aujourd’hui: Oeuvres Contemporanies des Collections Nationales / Accrochage II. Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France

Fourteen Painters. Herbert Lehman College, Bronx, NY

 

1978

Two Decades of Abstraction. University Galleries, University of South Florida, Tampa, FL

 

1977

Recent Acquisitions. Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France

 

1976

Max Protetch Gallery, NY

Students’ Choice. Yale University School of Art, New Haven, CT

 

1975

Abstraction: Alive and Well. State University College, Potsdam, NY

Fourth Annual Contemporary Reflections 1974-75. Aldrich Museum of Contemporary Art,

Ridgefield, CT

1975 Biennial Exhibition. Whitney Museum of American Art, NY

 

1974

Marylin Lenkowsky, David Reed, Herbert Schiffrin. Susan Caldwell Gallery, NY

John Elderfield, Max Gimblett, David Reed. Cuningham-Ward Gallery, NY

Seven New York Artists. Nina Nielsen Gallery, Boston, MA

 

1973

Lo Guidice Gallery, NY

 

1972

Six Painters in the ‘70s: Abstract Painting in New York (curated by John Minor Wisdom). Ackland Art Center, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina

 

1970

A Clean Well-Lighted Place. Austin, TX

A Gift of Time. Santa Fe Museum of Fine Arts, Santa Fe, NM

 

 

AWARDS AND GRANTS

1991

National Endowment for the Arts, Visual Arts Fellowship

 

1988

John Simon Guggenheim Memorial Foundation, Fellowship

 

1969

Roswell Museum and Art Center, Grant

 

1966

Rockefeller Foundation, Fellowship

 

 

BIBLIOGRAPHY

2006

David Reed, Eli Langer. Frank, Peter. LA Weekly, July 12, 2006

Art Review: David Reed Paintings: Motion Pictures Miles, Christopher. Los Angles Times, 2006

 

2005

David Reed at Ulrich Museum of Art. Call, Christin. Review, June: p. 60 – 61

David Reed at Max Protetch. Maine, Stephen. Art in America, May

 

2004

David Reed. Schwendener, Martha. Time Out New York, December

 

2003

Issues and Commentary: A Quiet Crisis. Rubenstein, Rahael. Art in America, March: p. 43

 

2002

David Reed at Max Protetch. D’Souza, Aruna. Art in America, September: p. 126

An Artist Who Can Make Paint Behave Strangely. Pagel, David. Los Angeles Times, March 15, 2002

Best of… Siegel, Katy. Artforum, December: p. 126

 

2001

David Reed Kunstmuseum St. Gallen. Rimanelli, David. Artforum, September

David Reed Kunstmuseum St. Gallen, Switzerland. Soutif, Daniel. Artforum, November: p. 139

 

2000

David Reed Max Protetch. Siegel, Katy, Artforum, January: p. 113.

 

1999

Davis Reed, Galerie Xippas. Boulbes, Carole. Art Press, Paris #251: p. 83 – 84

David Reed: Museum of Contemporary Art, San Diego. Calame, Ingrid. Art Issues,

January/February: p.36

Bedside Manner. Danto, Arthur C. Artforum, Summer: pp.120-125

Reed, Trio Grande. Debailleux, Henri Francois. Libération, Paris, September: p.38

Perhaps it Depends on the Pressure. Gilbert-Rolfe, Jeremy.

The Chinati Foundation, vol. 4, September 1999

Best of the ‘90’s: A Special Issue: Top Ten. Hickey, Dave. Artforum, December: p. 112

An Apostle Demistifies Brushwork. McQuaid, Kate. The Boston Globe, November 26: p. D-5

A Minimalist in Baroque Trappings. MacAdam, Barbara A. ArtNews, December: p. 158-162 David Reed: Museum of Contemporary Art, San Diego. Pincus, Robert. ARTNews, February 1999: p.120.

Drawing Blood. Rice, Robin. Philidelphia City Paper, September / October

Dracula on the Lam. Rosenhlotz, Ellen M. Philadelphia Weekly, September 29

David Reed, Motion Pictures. Schwendener, Martha. Time Out New York, (No. 199/July: p.58.

A Lusious Journey, Exhaustively Annotated. Smith, Roberta. New York Times, August 20th: p. E35.

Pictorial abstraction: between reality, invention. Sozanski, Edward J. The Philadelphia Inquirer,

September 26

Art for Architecture’s Sake. Sullivan, John J. Metropolis, December: p. 66 - 71

Moving Pictures at an Exhibition. Viveros-Faune, Christian. Art Papers,

November/December: p. 32 - 37

Was das Bild im Schlafzimmer sieht. Wagner, Thomas. Frankfurter Allgemeine Zeitung, August 11: p.43

Reed Exhibit Challenges Notion That Art is Dead. Wilson-Powell, Malins.

Albuquerque Journal, May 27: p.8

 

1998

Sonnenuntergang für Vampire: Drauben die tosende Brandung und das Licht Kaliforniens - David Reed im Museum of Contemporary Art, San Diego.

Christofori, Ralf. Frankfurter Allgemeine Zeitung, December 6th, p.44

The Art of Seduction: David Reed’s swirling use of color is as dramatic as it is erotic.Pincus, Robert L. The San Diego Union Tribune, October 22: p.36

Reed’s Sense and Sensuality. Knight, Christopher. Los Angeles Times, October 6: p.D1

Ultraloungerie: Painting from Another Planet: New Painting from Los Angeles, Deitch Projects; David Reed, Max Protetch Gallery. Schjeldahl, Peter. The Village Voice ,June 23: p.54

David Reed, Max Protech, Chelsea. Damianovic, Maia. Tema Celeste

 

1997

Top Ten x 12: The Year in Review. Hickey, Dave. Artforum 36, no. 4, December: p.89

Las Vegas in Cinemascope, Bilder und Videoinstallationen von David Reed in Köln. Huemer, Markus. Neue Bildende Kunst, April: p.100

David Reed at Patricia Faure Gallery. Iannaccone, C. LA Weekly, March 14‹20: p.64

Durch das kalte Feuer des Barock, der Maler David Reed zeigt Hitchcock-Paraphrasen und Bilder aus Las Vegas in einer Kölner Galerie. Imdahl, Georg. Frankfurter Allgemeine Zeitung July 16: p.34

David Reed at Patricia Faure Gallery. Joyce, Julie. Art Issues, no. 48, Summer: p.41

David Reed, Patricia Faure Gallery. Kandel, Susan. Los Angeles Times, February 28: p. F1, F24

David Reed, Patricia Faure Gallery. Pagel, David. art/text, no. 58, August - October: p.85 - 86

Abstraction Out of Bounds. Rubinstein, Meyer Raphael. Art in America 85, no.11,

November: p.104 - 115

 

1996

David Reed: der Film als Bild. Buergel, Roger M. Neue Bildende Kunst, April/May: p.52 - 53

David Reed and Manhattan Baroque.Danto, Arthur C. art press, no. 218, November: p.55 - 60

It’s Abstract, All Right. Duffy, Robert. St. Louis Dispatch, December 1: p.4C

Abstractie als Hedendaags Realisme. Késenne, Joannes. Kunst & Cultuur, May: p.6

David Reed, Kunstvereine in Köln, Stuttgart und Münster. Neumaier, Otto.

Noema, Art Journal, Winter: p.73

 

1995

Painting and Architecture: Conditional Abstractions. Allen, Stan. Abstraction. Journal of Philosophy and the Visual Arts, no. 5: p.60 - 71

Köln: Ein Blick mit David Reed ins Schlafzimmer im Kölnischen Kunstverein. Blase, Christoph.

Kunst-Bulletin, no. 3, March: p.39 - 40

David Reed, Max Protetch Gallery. Drolet, Owen. Flash Art 28, no. 183, Summer: p.129

David Reed, Kunstvereinen in Köln, Stuttgart und Münster. Ermen, Reinhard.

Kunstforum International, no. 130, May - July: p.376 - 77

Maler im Schlafraum. Freudenberger, A. De Schnüss, Bonn, March.

60 Fractions of Megohm. Madore, Michael. Trans-, Premiere Issue, November: p.147-151

Seducing the Eye, Contemporary Painters and Sculptors Turn to Sensuous Abstractions that Revel in Contradictions. Melrod, George. Art & Antiques, March: p.31

Köln: David Reed, per Bild bei Hitchcock zu Besuch.Nemeczek, Alfred. art-das Kunstmagazin,

February: p.80-81

David Reed - ‘Bedroom Paintings’/ ‘Vertigo’ Kölnischer Kunstverein. Pocock, Philip. Texte zur Kunst, May: p.175-77

Bild für Bett gewünscht. Schroeder, Annette. Kölnische Rundschau, January 26

Spiele mit Hitchcock”s ‘Vertigo’ Kölns Kunstverein zeigt den Amerikaner David Reed erstmals in

Europa: Bilder und eine Installation. von Taschitzky, Thomas. Kölner Stadt-Anzeiger,

January 26: p.11

David Reed at Max Protetch Gallery. Wei, Lilly. Art in America 83, no. 6, June: p.102

David Reed, Max Protetch Gallery. Ziolkowski, Thad. Artforum 33, no. 9, May: p.99

 

1994

Critiques of Pure Abstraction, David Reed. Rosenthal, Mark. Atelier, Magazine of International Art, October: p.78 and cover

 

1993

Byron Kim, David Lasery and David Reed: Paintings. Pincus, Robert. The San Diego Union-Tribune, November 18: p.17

 

1992

Abstract, But Full of Substance, ‘Bedroom Painter’ at Home with Gestural Extravagance. Bonetti, David. San Francisco Examiner, August 11:p.B1, B3

(critical edge): The Outlaw Academy. Cameron, Dan. Art & Auction 14, no. 10, May: p.96-98

Im Totentanz der Stile, die Chancen abstrakter Malerei/Kunstadebatte in Wien. Gorsen, Peter.

Frankfurter Allgemeine Zeitung, Donnerstag, March 5: Nr. 55, p.31

Abstrakte Malerei zwischen Analyse und Synthese, Galerie nächst St. Stephan. Moser, Ulli.

Kunstforum International, May/June: p. 370-72

Consciousness in the Abstract, A New Look at Abstract Painting. Murphy, Mary.

New Art Examiner 19, June/Summer: p.16-20

Abstraktion Heute. Nesweda, Peter. Noema, Art Journal, April - June: p.106-107

 

1991

David Reed: Max Protetch Gallery. Brenson, Michael. New York Times, March 15: p.C26

David Reed, Max Protetch Gallery. Decter, Joshua. Arts Magazine 65, no. 9, May: p.103-104

Painting Movement: The Work of David Reed. Gilbert-Rolfe, Jeremy.

Arts Magazine 66, no. 1, September: p.36-37

“David Reed, Max Protetch Gallery. Morgan, Robert C. Tema Celeste, May-June: p.89

David Reed at Max Protetch Gallery. Rubinstein, Meyer Raphael.

Art in America 79, no. 7, July: p.116-17.

David Reed: Galerie Rolf Ricke. Smolik, Noemi. Kunstforum International, July - August: p.360-61

 

1990

David Reed: Max Protetch Gallery. Bell, Tiffany. ArtNews 89, no. 1, January: p.166 - 67

The State of the Art World: The Nineties Begin. Danto, Arthur C. The Nation, July 9: p.65 - 68

David Reed at Max Protetch Gallery. Fisher, Craig. Tema Celeste, January-March: p.64

The Anatomy of Autonomy: David Reed. Hagen, Charles. Artforum 29, no. 3, November: p.143-46

David Reed, Max Protetch Gallery. Mahoney, Robert. Arts Magazine 64, no. 5, January: p.102

The Legend Business. Perl, Jed. The New Criterion 8, January: p.60-62

Body’s Surplus: The Art of David Reed. Welish, Marjorie. Sulfur, Fall: p.115-122

David Reed, Max Protetch Gallery. Yau, John. Artforum 28, no. 5, January: p.8-9

 

1989

The 1989 Whitney Biennial. Danto, Arthur C. The Nation, June 5: p.778-92

David Reed, Asher/Faure Gallery. Donohue, Marlena. Los Angeles Times, December 9: p.17- 18

New From David Reed, A Modern Traditionalist. Kimmelman, Michael. The New York Times,

October 27: p.C31

David Reed at Asher/Faure Gallery. Rubin, Jane. Art issues, no. 3, April: p.28

 

1988

Reed moves toward Formal Periphery, His strategy is in the brushstroke. Gardner, Colin.

Los Angeles Herald Examiner, December 9: p.4

Nonrepresentation in 1988: Meaning-Production Beyond the Scope of the Pious. Gilbert-Rolfe, Jeremy. Arts Magazine 62, no. 9, May: p.30-39

David Reed, Max Protetch Gallery. Grimes, Nancy. The New Art Examiner 15, June: p.50

David Reed, Max Protetch Gallery. Hagen, Charles. Artforum 26, no. 8, April: p.147

David Reed: Max Protetch Gallery. Kimmelman, Michael. New York Times, February 5:p. C24

Abstract Ironies. Masheck, Joseph. The New Leader, October 20: p.21-22

David Reed: Max Protetch Gallery. Rubinstein, Meyer Raphael and Daniel Wiener.

Flash Art, no. 140, May-June: p.103

 

1987

Baroque Expansions. Bell, Tiffany. Art in America 75, no. 2, February: p.126-29, 161

Interstices: David Reed, Jonathan Lasker, Barry Bridgewood, and Will Mentor.Seliger, Jonathan.

Arts Magazine 61, no. 7, March: p.66-69

 

1986

Artifice and Artificiality: David Reed’s Recent Paintings. Carrier, David. Arts Magazine 60, no. 5, January: p.30-33, cover

The Return of Abstraction. Madoff, Steven Henry. ArtNews 85. no. 1, January: p.80-85

David Reed: Max Protetch Gallery. Smith, Roberta. The New York Times, October 24: p.C30.

 

1985

David Reed: Max Protetch Gallery. Brenson, Michael. The New York Times, April 5: p.C21.

 

1984

David Reed, Max Protetch Gallery. Bell, Tiffany. Arts Magazine 58, no. 6, February: p.5

David Reed at Protetch Gallery. Westfall, Stephen. Art in America 72, no. 3, March: p.164

 

1983

David Reed: Max Protetch Gallery. Brenson, Michael. The New York Times, November 25: p.C19.

 

1982

An Exhibition of Abstract Painting, Art Galaxy. Tatransky, Val.

Arts Magazine 57, no. 1, September: p.39

 

1980

David Reed, The Clocktower. Foster, Hal. Artforum 19, no. 4, December: p.72-73

David Reed at the Clocktower. Frank, Elizabeth. Art in America 68, no. 9, November: p.136- 37

David Reed1s Paintings. Sherry, James. Artforum 16, no. 5, January: p.54-55.

Artbreakers: New York1s Emerging Artists. Zimmer, William. Soho Weekly News, September 17: p.41

 

1979

Art Goes to Rock World on Fire: The Pounding of a New Wave. Zimmer, William. Soho Weekly News, September 27: p.33

David Reed at Max Protetch Gallery. Zimmer, William. Soho Weekly News, April 26: p.41

 

1977

David Reed, Max Protetch Gallery. Gold, Sharon. Artforum 15, no. 10, Summer: p.70

The Younger Generation: A Cross Section. Zimmer, William.

Art in America 65, no. 5, September-October: p.86-91

David Reed at Max Protetch Gallery. Zimmer, William. Soho Weekly News, March 17: p.24

 

1975

David Reed at Susan Caldwell Gallery. Gruen, John. Soho Weekly News, March 27: p.14

David Reed at Susan Caldwell Gallery. Schjeldahl, Peter. Art in America 63, no. 4,

July - August: p.100-101

David Reed, Susan Caldwell Gallery. Zimmer, William. Arts Magazine 49, no.10, June: p.8-9

 

1974

Marilyn Lenkowsky, David Reed, Herbert Schiffrin, Susan Caldwell Gallery. Frank, Elizabeth.

Art News 73, no. 8, October: 116-20

John Elder, Max Gimblett, David Reed at Cunningham-Ward Gallery. Frank, Peter. Soho Weekly News, March 21: p.14, 21

David Reed, Susan Caldwell Gallery. Gilbert-Rolfe, Jeremy. Artforum 12, no.10, June: p.70

 

1973

A Modest Proposal. Bowling, Frank. Arts Magazine 47, no. 4, February 1: p.55-59

 

 

WRITINGS, STATEMENTS, AND INTERVIEWS

2006

Liquid Rubens. Las Vegas: Guggenheim Hermitage Museum, May 12, 2006

Streets and Studios. High Time, Hard Times: New York Painting 1967-1975 exh cat.

New York: iCI and D.A.P.

 

2001

David Reed Responds to Questions Regarding Hitchcock’s Vertigo. Bickle Stiftlung, Ursula. Vertigo, exh. cat. Vienna: Museum fur Moderne Kunst

The Magic Hour: The Convergence of Art and Las Vegas. Graz, Austria: Ed. Alex Farquharson,

Neue Galerie Graz am Landesmuseum Joanneum.

David Reed on Lee Lozano. Siegel, Katy. Artforum, October.

 

1999

David Reed. Viveros-Fauné, Christian. New York Press, July 21-27, 1999, p.1

David Reed: Conversazione con Demetrio Paparoni. Paparoni, Demetrio. Tema Celeste,

Gennaio/Febbraio, N. 72, p.46

 

1998

“Scottie1s Place/Judy1s Place.” Carnal Pleasures: Desire, Public Space and

Contemporary Art. (San Francisco: Ed. Anna Novakov. Clamor Editions), p.111-121

 

1997

Journal. New Paintings for the Mirror Room and Archive in a Studio off the Courtyard. Graz, Austria: Neue Galerie am Landesmuseum Joanneum, p.13-23.

David Reed. Fotografie nach der Fotografie/Photography after Photography.

Berlin: Verlag der Kunst. p.301

David Reed. Peindre? Enquête & Entretiens sur la Peinture Abstraite. Paris: Eds. Claude Briand-Picard, Christophe Cuzin, Antoine Perrot. Positions, Galerie b Jordan m Devarrieux) p.112

David Reed: Vampire Journal Excerpt. New Observations, Ripple Effects: Painting and Language, #113. Winter: p. 6 - 7.

Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Ellis, Stephen. Los Angeles: A.R.T. Press, William S.

Bartman Foundation. p.183 - 194

David Reed: Eigentlich ist es die abstrakte Malerei, die heute die Errungenschaften der Pop-art fortsetzt und weiterentwickelt. Smolik, Noemi. Kunstforum 133 February - April: p.300 - 305.

 

1995

David Reed. Pittura/Immedia, Malerei in den 90er Jahren/ Painting in the ‘90’s. Graz: Neue Galerie am Landesmuseum Joanneum. p.120-21.

Hitchcock’s Schlaftzimmer. Krebber, Sabine. Stuttgarter Nachrichten, July 7: Kultur Magazin 13 von Bilder vom Bruch im Selbst. Taschitzki, Thomas. Kölner Stadt-Anzeiger, March 12: p.39

 

1994

David Reed. Fractured Seduction. Tel Aviv: Artifact Gallery.

 

1993

Media Baptisms. M/E/A/N/I/N/G #13, May: 31-33

David Reed. Der zebrochene Spiegel: Positionen zur Malerei/The Broken Mirror:

Approaches to Painting. Vienna: Museumsquartier Messepalast und Kunsthalle Wien. 118‹21.

David Reed. Prospect OE93: Eine Internationale Ausstellung aktueller Kunst/Prospect OE93:

An International Exhibition of Contemporary Art.

Frankfurt: Frankfurter Kunstverein and Schirn Kunsthalle. p.355

Italia-America: L’astrazione redimita. Paparoni, Demetrio. San Marino: Galleria Nazionale d1Arte Moderna, p.129-33

 

1992

Media Baptisms. Abstrakte Malerei zwischen Analyse und Synthese/Abstract Painting

between Analysis and Synthesis. Vienna: Galerie nächst St. Stephan. p.123 - 34

Two Bedrooms in San Francisco. Two Bedrooms in San Francisco. San Francisco Art Institute.

 

1991

Reflected Light: In Siena with Beccafumi. Arts Magazine, March: p.52-53

Tradition, Eclecticism, Self-Consciousness: Baroque Art and Abstract Painting. Arts Magazine

January: p.44 - 49.

 

1990

David Reed. Ellis, Stephen. A.R.T. Press, William S. Bartman Foundation, Los Angeles

 

1989

Memories of Rome. New Observations #68, June: p.20 - 23

 

1988

Rubinstein, Raphael. ETC. Magazine, Montreal, Canada, Summer: p.31 - 33

Seliger, Jonathan. Journal of Contemporary Art, Spring: p.67-8

 

1984

I Knew It to Be So! - Forest Bess, Alfred Jensen, Myron Stout, Theory and the Visionary. New York Studio School.

 

1975

On Jumping. and Intermediate Cases. Art-Rite, Spring: 9